Showing posts with label Kylie Lee Baker. Show all posts
Showing posts with label Kylie Lee Baker. Show all posts

Sunday, April 12, 2026

Review: Japanese Gothic by Kylie Lee Baker

Japanese Gothic Japanese Gothic by Kylie Lee Baker
My rating: 4 of 5 stars

I was provided both an ALC and ARC via Netgalley, all opinions are my own.

This is told in alternating points of view and alternating timelines interwoven with tales of ghost stories and Japanese lore.  Lee lives in the present and has cone to visit his father in Japan after taking a break from NYU.  He knows something happened with his roommate, but he's in a haze of pills and can't quite remember what happened.  He's hoping for a respite in his father's home in Japan, a chance to detox and remember what happened with the comforting meals that his dad's girlfriend cooks.  Instead Lee finds that the house is strange and a strange woman walks around at night brandishing a katana.

Sen lives in 1877 and her father is one of the last remaining samurai after their excile in Japan.  He came back from war a changed man, but is determined to keep samurai traditions and teachings alive.  Sen is desperate for his approval and will do anything to be considered a samurai in his eyes.  She too sees a strange white man from time to time walking around her home and grounds.  

As the story unfolds, you get the feeling that something is amiss but you aren't quite sure what it is.  The story takes on the air of an unreliable narrator at some point but the telling is so well crafted you don't even notice that it happened.  Both Sen and Lee are connected by a strange door in a house that that carries history and memories.  He is trying to figure out the trauma that occurred in his past, while she is awaiting the trauma in her future.  The slower pace worked well here as the story unfolds and the characters move between time to uncover what happened in each of their timelines.  Terrible things happen in both of their lives, which Baker describes with atmospheric and vivid detail.

This is full of twists and turns and takes you on a wild ride.  I loved the horror elements and the historical elements.  This was excellent!

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Tuesday, November 14, 2023

Review: The Scarlet Alchemist by Kylie Lee Baker

The Scarlet Alchemist The Scarlet Alchemist by Kylie Lee Baker
My rating: 3 of 5 stars

I was provided an ARC of this book via Netgalley, all opinions are my own. I did end up listening to most of this book via audio via Hoopla in an effort to get my review up relatively close to release data. This book was released in early October, so my review is about a month late.

This book is a mashup of historical fiction and fantasy. It has an interesting magic system based on alchemy and historical alchemical practices. If you have read Baker's previous works, they are geared toward the young adult reader, however there are some dark themes and her work is not devoid of gore and violence. There is also a bit of a horror element to this much like there was with The Keeper of Night. There is a bit of a romance element, but it wasn't front and center and I didn't really feel the chemistry between the love interests.

This follows Fan Zilan, an aspiring alchemist from poor family and a poor village. Zilan was adopted by her aunt and uncle and she wants nothing more than to become a Royal Alchemist to send money home to support them and help them rise from poverty. She and her two cousins who she thinks of as her siblings, must travel to the city of Chang'an and take their civil service exams in the hopes of rising to a higher station and sending money home to their parents. Her cousins want to become scholars and Zilan who is self-taught wants to learn everything she can from the other alchemists. Upon arriving in the city they quickly learn that they can't trust anyone and that something strange is afoot at the palace.

I thought the characters were very immature at times. Zilan was insecure and reckless, then guilty about the outcomes. The Crown Prince, Hong, is also quite immature despite being next in line to be emperor and constantly in danger. I think younger readers will connect with these characters a lot more than I did. The world building was very well done and Baker did a great job on that front describing the alchemy and the monsters. There was quite a bit of court intrigue and she did a good job painting the picture of what was going on inside and outside the palace.

This does leave off on a bit of a cliffhanger, which sets us up for book two nicely. I do feel that we got closure for the most part with the storyline for book one, but this does leave us with some open questions on where the empire is headed and what Zilan will do next. I look forward to seeing what happens next.

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Saturday, October 8, 2022

BLOG TOUR: The Empress of Time by Kylie Lee Baker with Review, & Excerpt

 


ABOUT THE BOOK:


In this riveting sequel to The Keeper of Night, a half Reaper, half Shinigami soul collector must defend her title as Japan’s Death Goddess from those who would see her—and all of Japan—destroyed.

Death is her dynasty.

Ren Scarborough is no longer the girl who was chased out of England—she is the Goddess of Death ruling Japan’s underworld. But Reapers have recently been spotted in Japan, and it’s only a matter of time before Ivy, now Britain’s Death Goddess, comes to claim her revenge.

Ren’s last hope is to appeal to the god of storms and seas, who can turn the tides to send Ivy’s ship away from Japan’s shores. But he’ll only help Ren if she finds a sword lost thousands of years ago—an impossible demand.

Together with the moon god Tsukuyomi, Ren ventures across the country in a race against time. As her journey thrusts her in the middle of scheming gods and dangerous Yokai demons, Ren will have to learn who she can truly trust—and the fate of Japan hangs in the balance.


BUY LINKS:


Bookshop.org: https://bookshop.org/books/the-empress-of-time/9781335915856

IndieBound: https://www.indiebound.org/book/9781335915856

Barnes & Noble: https://www.barnesandnoble.com/w/the-empress-of-time-kylie-lee-baker/1140845005?ean=9781335915856

Amazon: https://www.amazon.com/Empress-Time-Keeper-Night-duology/dp/1335915850/ref=sr_1_1?crid=2WAARQESV0K7P&keywords=the+empress+of+time&qid=1644287068&sprefix=the+empress+of+,aps,251&sr=8-1



REVIEW:

The Empress of TimeThe Empress of Time by Kylie Lee Baker
My rating: 3 of 5 stars

I received a both a print and audio ARC of this book via Netgalley, all opinions are my own. This book comes out today October 4, 2022.

I enjoyed the narrator. She did a good job with the narration of the various characters.

This picks up where book one left off, however about 10 years have passed for Ren who has claimed the title of Goddess of Death. She is still searching for her brother Neven in the deep darkness and much like she did in her previous life she is still trying to find her place in the world. She wasn't respected as a British Reaper, and the Shinigami that she now rules over don't respect because of her foreign heritage. Ren gets word that the head of the Reapers and Ren's worst enemy, Ivy, is on her way to take over Japan and kill Ren. Ren isn't sure she is capable of defeating the British Death Goddess and attempts to make alliances with the other Japanese gods and goddess. To do so she embarks on a quest to find a long lost sword.

I really loved the myth and lore of the first book, and while that concept carries over into this book it isn't the main focus. We do get a glimpse into the larger god and goddess structure which I always find fascinating. We spend much of the book with Ren on her quest to find help to save Japan from the impending invasion. She is a powerful Goddess in her own right, but she has a hard time accepting her new power and role. Much of the book is spent with Ren warring with herself about her own abilities to save Japan and fight the Reapers. There was a bit too much negative self-talk for my liking and I found it frustrating at times. I wanted Ren to embrace the darkness, power, and her anger and harness them into something productive. While I thought the ending was perfect, it took a long time to get there. Ren's character growth was quite the journey, but it was worth it. I don't want to spoil anything, so I'll leave it there.

Much like the first book this installment walks the line between fantasy and horror. There are some very dark, violent, and gory scenes. In that sense I feel like the world building was well done, and that is something the author does very well. The descriptions are vivid and detailed. The magic system isn't explained much in this book, but I don't recommend reading this as a standalone. You should definitely read The Keeper of Night first to really understand the magic system and get a better understanding of the Reapers and the Shinigami. I think if you picked this up first you'd be completely lost. This does answer alot of the outstanding questions I had at the end of book one about what was going to happen with Ren, Neven, and the rest of the characters. I felt the book ended with a fitting conclusion to the duology.

Overall, I enjoyed this conclusion and I look forward to reading more from this author in the future.

View all my reviews


Chapter 2 Excerpt:

Deep down below the land of the living, in a place where light could not reach, I lived in a castle of shadows.

It sat on a high platform of stone, its towers spiraling into Yomi’s endless sky with rooftops sloped like claws and edges that blurred away in the night, as if a black fog had wrapped its arms around the castle and choked its breath away. Most people would never have the displeasure of seeing the monstrosity of my home in the total darkness of Yomi, but Shinigami, like me, could sense it clearly.

I knelt in an empty courtyard marked by smooth tiles just beyond the lotus lake, every breath echoing forever into the darkness. At times, the night was so still and vacant that I felt like it was listening to me, waiting for me, and if I only said the right words, the whole world would unfold and light would break in from above.

One of my shadow guards hovered beside me, his shape ebbing and flowing, pulsing like a heart as he waited for my instructions. My guards were people of the shadows—inhuman creatures born from the lost dreams of the dead, spirits with no body to call home, formless and ephemeral. My palace was filled with too many of them and an absurd number of handmaids—women bound forever to the palace from deals they’d made with Izanami. Most of them had bargained for more time with the living, either for themselves or their families. I didn’t know if their quiet subservience was out of fear, or if Izanami had bound them with some sort of curse.

“Have Chiyo send someone to clean the courtyard,” I said, glancing at the muddy marks I’d left on the stones. The mess didn’t bother me, but it would surely bother Chiyo, and I wanted the guard to leave me alone.

“Yes, Your Highness,” the guard said, evaporating into the darkness.

Before going inside, I turned to the west wing of the courtyard, where the darkness grew thick like treacle, clinging to my sandals as I walked. After a few steps, I could no longer see my hands in front of me, even with my Shinigami vision. The world was nothing but my own slow heartbeat and the cold sweat on my skin, the weight of a thousand worlds crushing down on my shoulders as the darkness grew heavier and heavier.

I fell to my knees at the border of deep darkness and reached a hand out in front of me. My palm pressed into a cold wall, unyielding but invisible. Beyond it, the darkness was so dense that it seemed like the world had simply ceased to exist.

I pressed harder against the wall, feeling my bones creak and joints protest. Even before I’d become a goddess, I’d been strong enough to crush bricks to dust and bend steel like dough. As a goddess, my anger could make mountains tremble and my touch could shatter diamonds. Yet the wall that barred me from the deep darkness would not yield. It had grown weaker over the years—I could hear the tinkle of hairline cracks forming on the other side—but still, it remained standing.

At first, I would sit outside for hours pushing against the wall until my fingers broke and my wrists snapped, but now I knew that if I wasn’t strong enough, no amount of time spent pushing would change that. Only more souls in my stomach could weaken the barrier. So instead of trying anymore, I fell forward onto my hands and glared across the darkness, whispering a secret prayer and hoping that somewhere in that dark infinity, Neven could hear me.

When humans grew desperate, they offered me anything at all to spare them and their loved ones from suffering. But there were no gods left for me to pray to. I had become my own god, and now I knew the cruel truth: gods were just as helpless as humans when it came to things that mattered.

I rose to my feet and trudged back to the palace doors, where two more shadow guards stood at attention. They bowed as I approached, then raised the great metal bars that sealed the palace and let me inside.

Chiyo stood waiting just beyond the door, her arms crossed. Out of all the handmaids Izanami had left behind, I’d chosen her to attend and advise me. Despite the way Death often blurred one’s features, Chiyo’s eyes had a sharpness to them, like she was ready for a sudden attack. She was the only servant who seemed like she’d retained even a piece of her soul after having her heart eaten by Shinigami. The others had vacant stares and cowered in fear, but Chiyo always had a sour look on her face when I frequently displeased her, which I much preferred. My guess was she’d died somewhere in her thirties, though the sternness in her face made her look older.

“That took longer than scheduled,” Chiyo said, frowning at the trail of mud behind me. “The Goddess of Death can’t even kill efficiently?”

“I felt like making you wait,” I said, stepping through the doorway. Chiyo did little to conceal her disapproval for my extra soul collections, but she helped me because I was her goddess and I’d asked her to, and she had to trust that a goddess knew what was best, even if we both knew that was a lie.

I lit the ceremonial candles in the hallway with a wave of my hand, casting the palace in dim light. Chiyo flinched like I’d set off fireworks, but I ignored her and trailed muddy footprints down the hallway.

One of the many changes I’d made from Izanami’s reign of total darkness was that I required at least dim light in the palace at all times. Even though my Shinigami senses could make out the furniture and wall paintings in the darkness, I’d also started to see faces that shouldn’t have been there. In the formless swirl of darkness, they came together piece by piece, hazy nightmares that dispersed whenever I blinked and then reappeared when I turned around.

Chiyo bowed and opened the door to the bathroom. She tried, as she did every day, to help me undress, but I shooed her away with a wave of my hand while other servants filled a tub with scalding hot water. I cast off my soiled human clothes and dropped them in a wet pile on the floor.

“Burn them,” I said to Chiyo, stepping into the tub. My clothes reeked of blood and wouldn’t have been salvageable even if I’d wanted them.

“Most deities don’t waste quite so many kimonos,” she said, gathering the dirty fabric.

“Most deities don’t do anything,” I said, scrubbing the blood from under my fingernails. “They just bask in humans’ prayers and have their underlings do their chores. But I have tasks that only I can do correctly.”

Chiyo made a noncommittal humming sound that she always made when her thoughts weren’t polite enough to say to a goddess, but she didn’t deny my words. The Shinto gods all had great adventures and conquests and tragedies when the world was first beginning, but since the modern era, none of them seemed particularly active.

While I hadn’t expected any of them to welcome me with open arms, none had deigned to even speak to me. Chiyo mentioned their doings in passing—when typhoons tore through Japan, that was likely the doing of Fūjin, the god of wind. And when the population increased, that was the doing of Inari, goddess of fertility. But none of them ever drained the seas or turned the sky purple or performed any sort of godlike miracle, anything that couldn’t be explained by nature or luck. I imagined that they merely sat in their palaces and watched the changing winds.

“Has anything of importance happened in my absence?” I asked. Chiyo knew well that important meant any situation I had to deal with immediately or risk total chaos and peril. Anything else, she could handle on her own.

“Yomi is quiet, Your Highness,” she said. “It is Obon, so the dead are on Earth.”

Just like every year, I had forgotten about the Obon festival until it was upon us, marking the waning days of summer, one more year of nothing changing at all. It was now a Buddhist holiday, but I observed it even as a Shinto goddess, for the two religions had long ago become intertwined in the lives of humans in Japan. Every year, the souls of the dead traveled back to their hometowns on Earth, summoned by fire. After three days of festivals and dancing, fire bid the spirits goodbye, and they returned to Yomi. Usually, that meant that no one bothered me for three days.

“However, there are Shinigami waiting upstairs,” Chiyo said.

“Why?” I frowned, combing my fingers through my wet hair. The water clouded with blood.

“I believe they are hoping for a transfer.”

I sighed, nodding as I scrubbed the blood from my forehead. It was my fault for daring to hope that Obon would mean a few days of peace and quiet in Yomi. What right did I have to peace?

“I don’t suppose you could tell them to come back tomorrow?”

Chiyo’s thin smile twitched, her eyes glinting like sharpened knives as she turned toward the light as if considering my request. Chiyo had to be patient with me, but I knew her patience was not infinite.

“Fine,” I said, sinking deeper into the water, “but I’m not going to meet them sopping wet, so they’ll just have to wait a bit longer.”

“Of course,” Chiyo said, bowing in a way that somehow felt sarcastic, even if I couldn’t prove it. “I will take care of your clothes and have the floors cleaned,” she said, turning to leave.

“Chiyo.”

She stopped in the doorway. “Yes, Your Highness?”

I could not look at her face when I asked my next question because I would know the answer from her eyes alone. Instead, I stared at my reflection in the muddy water, dirty and distorted like me.

“Have the guards found anything in the deep darkness?” I asked.

Every day, right before she answered, there was a moment of breathless silence when I allowed myself to hope. Sometimes I would stop time and cling to the moment just a bit longer, allowing myself to think that maybe today was the day.

“No, Your Highness,” Chiyo said. The only time her voice was gentle was when she answered this question. “Perhaps tomorrow.”

“Yes,” I said, shifting in the tub so that my reflection rippled and broke, “perhaps.”

She bowed again, then hurried out of the room. I glanced at my ring on the counter, then sank under the water.

I closed my eyes as a wave of fresh souls rushed over me, a warmth spinning through my blood, burning from my heart to my fingertips. I could always feel when my Shinigami brought me fresh souls. A thousand names flashed behind my closed eyes, streaks of bloodred kanji burned into my vision. The ache in my bones abated slightly, heat returning to my core. With every soul, I felt a little less like I’d been dragged through wet earth with a sick stomach full of hearts and more like someone who might be a goddess one day.

I stepped out of the tub and into my room, where servants were already waiting with clothing.

When I’d first taken the throne, they’d tried to dress me in twelve layers of fabric, so heavy that I could hardly stand up.

“The royal junihitoe is the proper clothing for a goddess,” Chiyo had said.

But I hadn’t felt like a goddess then, and I still didn’t now. I was just a pathetic girl whose anger had killed her brother and then her betrothed, and my prize was an eternity of lonely darkness. I didn’t deserve the throne, nor did I want it. But this was the only way to stay in Yomi and wait at the edge of the deep darkness, either until my guards brought Neven back or I finally grew strong enough to break through the wall and find him myself. So, for the time being, I would have to play the part.

“I want a simple black kimono,” I’d said to Chiyo. “I don’t want to look pretty. I want to be able to move.”

“Your Highness,” Chiyo had said, the first traces of impatience starting to curdle her expression, “for a goddess, black clothing looks rather mournful.”

“Yes, and?” I said, casting the last of the purple fabric to the ground and standing only in my slip. “My brother is gone, my mother is dead, and I stabbed a ceremonial knife into my fiancé’s heart. I will mourn if I want to.”

To that, Chiyo said nothing, bowing deeply to hide her expression. The next day, she’d brought me a closet full of kimonos as dark as Yomi’s endless sky, and that was what I’d worn ever since.

The servants dressed me, tying my kimono tightly behind me. Even now, it reminded me of the first time someone had helped me into a kimono with hands that glowed like moonbeams and skin that smelled like brine.

A servant bowed and offered me my clock, which I clipped to my clothes and tucked into my obi. Finding a new clock of pure silver and gold had been difficult in Yomi, but it turned out that Death Goddesses got almost anything they wanted. I had never found Neven’s clock that I’d dropped on the floor of the throne room all those years ago, despite having my servants turn over every mat and empty every drawer in the entire palace. I suspected Hiro had destroyed it.

Chiyo tried to tie my hair up, but I stepped away from her and brushed it myself. I’d spent too long hiding the color of my hair from Reapers to simply tie it up and hide it again for the sake of proper styling. Nothing about me was traditional or proper, so what difference did a hairstyle make? I slipped my ring necklace over my head and rose to my feet, pushing the doors to my room open before the servants could do it for me. They threw themselves to the ground in apology, but I ignored them, charging down the hallways past the murals of Japan’s history—Izanagi and Izanami stirring the sky with a spear, the birth of their first child, Hiro, and their final children, the gods of the sun, moon and storms.

At first, I’d thought someone had painted the murals so the history wouldn’t be lost. But the palace had a mind of its own—mere days after my ascension, I’d walked past a new painting. It showed an angry girl cast in shadows, holding a candle in one hand and a clock in the other, standing at an outdoor shrine that dripped with blood, the body of a man at her feet.

I’d ordered the servants to paint over it and watched unblinking until it was done, but the next day, the picture appeared again. It seemed no matter what I did, I couldn’t erase it. I no longer visited that wing of the palace.

The guards at the entrance to the throne room bowed and opened the doors as I strode past them.

Inside, two Shinigami knelt on cushions on the floor, one man and one woman. They wore crimson red robes embroidered with gold dragons that captured the pale candlelight. How unfair it was that they could wear the uniform of Shinigami when I never had the chance, their lives so simple and whole.

I stepped up onto the platform and sat on my throne. The ceremonial candles lit the platform around me like a stage, Izanami’s katana mounted on the wall above me.

This was the room where I’d first met Izanami, back when I’d truly believed that she could help me. Once, the distance between the sliding doors and the great platform of Izanami’s throne had felt like a thousand miles, the pale reed mats an endless desert that pulled nervous sweat from my palms as I crawled across them. Now it was just a room of echoes and darkness, a chair that was expensive and uncomfortable, and a murder weapon mounted above my head because I didn’t know where else to put it. What had made the room magnificent was the fear that Izanami inspired, and now she was gone.

I sat down on the throne and crossed my arms as they bowed to me, then closed my eyes. The names of the Shinigami appeared in the darkness of my mind.

“Yoshitsune and Kanako of Naoshima,” I said, opening my eyes. “Speak.”

“Your Highness,” the man, Yoshitsune, said, “we’ve come to ask for your permission to transfer to Tottori.”

I sighed. What a waste of time. This had hardly been worth getting dressed for.

“No,” I said. “Was that all?”

“But…” Kanako frowned, rising up from her reverent bow, “why not?”

“‘Your Highness,’” I reminded her, scowling. In truth, I hated the title, but letting them speak informally to me was a quick path to being called Ren and then Reaper.

“Why not, Your Highness?” Kanako said, though the title sounded more like an insult than any sign of respect.

“You know why,” I said. “Do not waste my time with this.”

“Her father lives in Tottori, and he’s growing old,” Yoshitsune said, frowning as if I was singularly responsible for this. How quickly they had gone from pressing their noses to the floor to glaring at me. This was how it always went—they were willing to pretend I was their goddess until I didn’t give them what they wanted.

Most Shinigami didn’t even keep in touch with their parents enough to justify such a request. Just like Reapers, Shinigami families were only useful for alliances and protection. Once children married, there was no practical need for them to see their parents anymore. One of the many reasons my father had renounced me was probably that he’d never expected me to marry, so he wouldn’t have had a convenient excuse to disappear from my life. I doubted that the Shinigami before me truly wanted to relocate for noble reasons.

“I don’t need more Shinigami in Tottori,” I said. “The population there is hardly growing. You may transfer to Tokyo or Osaka, but Tottori is already bursting with Shinigami who are bored to death. My answer is no.”

“Izanami allowed us to stay with our families,” Yoshitsune said, glaring at me through the darkness.

Lies, a voice whispered, the words scratching down my ear like my head was full of spiders. I had figured as much, but comparing myself to Izanami rarely ended well. As much as I wanted to grant their wish and shut them up, the only thing worse than angry Shinigami was uncollected souls floating in the ether because there weren’t enough Shinigami to reap them. Then, instead of thinking me heartless, the other Shinigami would think me incompetent, which was much worse.

They had no innate respect for me, a foreign girl who had abruptly replaced the creator of their world. Reapers had impeccable hearing, so I knew all the things they whispered about me before I summoned them to my meetings—that I had seduced Hiro just to steal his throne, that I had taken Japan as an English colony to enslave, that I had no right to sit on Izanami’s throne and give orders. I couldn’t bring myself to disagree with the last one.

So, if they wouldn’t respect me, they had to fear me.

My shadows reached out and wrapped around their arms and legs, tearing the couple to opposite sides of the room. They screamed as the shadows pinned them to the walls, long tendrils of darkness crawling around their throats, lifting up their eyelids to examine the soft flesh below, tickling up their noses to peer at their brains.

Tears pooled in Yoshitsune’s eyes as the shadows dived down his throat, but Kanako bit down on the dark coils before they could choke her, spitting inky blackness back at me.

“Which one of you would like to die first?” I said in Death. The language was useful for intimidation, for even if my words were inelegant, Death curled them into a sinister lilt that made the Shinigami break out in goose bumps.


“You can’t kill us and you know it!” Kanako said. “The population is growing too quickly and you need all the Shinigami you can get.”

Unfortunately, she was right. Though the death of any Shinigami would result in the birth of another, I couldn’t exactly wait the hundred years it would take for them to grow up and complete their training. More Shinigami were already being born to meet the needs of the growing population, but all of them were still too young to reap.

“There are things worse than Death,” I said. This, I knew all too well.

I snapped both of their legs and dropped them to the floor.

They groaned as they fell limp against the mats, my shadows retreating back to me. They would heal in a few hours.

“Chiyo,” I said.

The door slid open instantly, as if she’d been waiting with an ear pressed against it. Her eyes were wide and alarmed, and for a moment I hesitated—she was used to my outbursts when dealing with Shinigami, so surely a few broken shins wouldn’t have unsettled her. Something else must have happened.

But whatever it was, she could find a way to resolve it herself. I didn’t have the patience for another catastrophe right now.

“Have them taken outside,” I said. “They can crawl home.”

“Yes, Your Highness,” Chiyo said. “If I may—”

I strode past the Shinigami, but one of them grabbed my ankle, stopping me in my tracks. I turned to Kanako, her face twisted in pain but her grip iron strong around my leg.


“Have you no respect?” I said, my jaw tense. “I could have killed you. I can spare one Shinigami, I promise you that.”

Kanako shook her head, nails biting into my skin.

“I don’t worship foreign gods,” she said.

I sighed, then yanked my ankle away and stomped firmly on her hand. It crackled with a sound like stale bread.

“Take them out now,” I said to Chiyo, storming past her.

Foreign gods, I thought, stomping toward my study. That was always the problem. Years ago, I’d given up fighting the word foreigner, knowing it was futile. Gods weren’t supposed to care what lower beings thought of them. All my power was supposed to extinguish that sort of weak, mortal doubt. Because if it didn’t, then why had I sacrificed everything for it?

Somehow, despite all my power, I was still trapped. It didn’t matter if foreigner stung less now than it had ten years ago, because the result was the same—no one respected me. No amount of introspection or confidence could change the fact that I had no say in who I was. Even as the most powerful being in all of Yomi, I felt like none of it truly belonged to me—my palace was a dollhouse, my riches trinkets, and all of it was a sham, because someone like me was not allowed to be a goddess.

“Your Highness!” Chiyo called, hurrying behind me.

“I’m going to my study,” I said.

“But Your Highness, there’s someone here in the lobby—”

“I don’t care if Izanami herself has risen from the grave and come over for tea. I am not seeing any other guests today.”

Chiyo clamped her mouth shut, but at the mention of Izanami, her eyes went wide.

“Chiyo,” I said, slowing to a stop. “Is Izanami—”

“No, no, Your Highness,” Chiyo said, shaking her head. “But there is someone I think you’ll want to speak to.”

I sighed, my jaw locked with annoyance. “Who is it?”

Chiyo looked at her feet. “He didn’t exactly say, but his face…”

She trailed off, but it was enough to make me hesitate. Chiyo knew better than to waste my time, so if she was stopping me for this visitor, he must have been of some importance.

I turned back down the hallway and headed toward the main entrance, Chiyo following close behind. I entered the main lobby, bristling past the shadow guards into the golden entranceway, its ceiling painted with a thousand flowers and its walls mapped with more of the castle’s murals cast in a backdrop of gold.

A man stood by the door, arms crossed as he examined the painted walls. He wore a kimono in ethereal white that glowed so brightly it seemed to emanate a pale mist of light. He turned around, as beautiful and terrifying as an endless sea, skin of moonbeams and eyes of exquisite coal. Someone I never thought I’d see again.

“Hiro?”

Excerpted from The Empress of Time by Kylie Lee Baker, Copyright © 2022 by Kylie Lee Baker. Published by Inkyard Press. 





ABOUT THE AUTHOR:

Kylie Lee Baker is the author of The Keeper of Night. She grew up in Boston and has since lived in Atlanta, Salamanca, and Seoul. Her writing is informed by her heritage (Japanese, Chinese, and Irish), as well as her experiences living abroad as both a student and teacher. She has a B.A. in Creative Writing and Spanish from Emory University and is currently pursuing a Master of Library and Information Science degree at Simmons University. In her free time, she watches horror movies, plays the cello, and bakes too many cookies.


SOCIAL LINKS:

Author website: https://www.kylieleebaker.com/

Twitter: @KylieYamashiro

Instagram: @kylieleebaker

Tuesday, October 4, 2022

Review: The Empress of Time by Kylie Lee Baker

The Empress of Time The Empress of Time by Kylie Lee Baker
My rating: 3 of 5 stars

I received a both a print and audio ARC of this book via Netgalley, all opinions are my own. This book comes out today October 4, 2022.

I enjoyed the narrator. She did a good job with the narration of the various characters.

This picks up where book one left off, however about 10 years have passed for Ren who has claimed the title of Goddess of Death. She is still searching for her brother Neven in the deep darkness and much like she did in her previous life she is still trying to find her place in the world. She wasn't respected as a British Reaper, and the Shinigami that she now rules over don't respect because of her foreign heritage. Ren gets word that the head of the Reapers and Ren's worst enemy, Ivy, is on her way to take over Japan and kill Ren. Ren isn't sure she is capable of defeating the British Death Goddess and attempts to make alliances with the other Japanese gods and goddess. To do so she embarks on a quest to find a long lost sword.

I really loved the myth and lore of the first book, and while that concept carries over into this book it isn't the main focus. We do get a glimpse into the larger god and goddess structure which I always find fascinating. We spend much of the book with Ren on her quest to find help to save Japan from the impending invasion. She is a powerful Goddess in her own right, but she has a hard time accepting her new power and role. Much of the book is spent with Ren warring with herself about her own abilities to save Japan and fight the Reapers. There was a bit too much negative self-talk for my liking and I found it frustrating at times. I wanted Ren to embrace the darkness, power, and her anger and harness them into something productive. While I thought the ending was perfect, it took a long time to get there. Ren's character growth was quite the journey, but it was worth it. I don't want to spoil anything, so I'll leave it there.

Much like the first book this installment walks the line between fantasy and horror. There are some very dark, violent, and gory scenes. In that sense I feel like the world building was well done, and that is something the author does very well. The descriptions are vivid and detailed. The magic system isn't explained much in this book, but I don't recommend reading this as a standalone. You should definitely read The Keeper of Night first to really understand the magic system and get a better understanding of the Reapers and the Shinigami. I think if you picked this up first you'd be completely lost. This does answer alot of the outstanding questions I had at the end of book one about what was going to happen with Ren, Neven, and the rest of the characters. I felt the book ended with a fitting conclusion to the duology.

Overall, I enjoyed this conclusion and I look forward to reading more from this author in the future.

View all my reviews

Monday, October 11, 2021

BLOG TOUR: The Keeper of the Night by Kylie Lee Baker with Review, Excerpt, and Q&A

 

ABOUT THE BOOK:

Julie Kagawa meets Scythe in this captivating and evocative journey into Death’s domain as one soul collector seeks her place in the underworld of 1890s Japan. Book 1 of a planned duology.


Death is her destiny.


Half British Reaper, half Japanese Shinigami, Ren Scarborough yearns for the acceptance she has never found among the Reapers who raised her. When the Shinigami powers she can no longer hide force her to flee for her life, Ren and her younger brother—the only being on earth to care for her—travel to Japan and the dark underworld of Yomi, where Ren hopes to claim her place among the Shinigami and finally belong.


But the Goddess of Death is no more welcoming than the Reapers who raised her, and Ren finds herself set on an impossible task—find and kill three yokai demons, and maybe, just maybe, she can earn a place in Death’s service. With only her brother and an untrustworthy new ally by her side, Ren will learn how far she’ll go to win the acceptance she craves, and whether the cost of belonging is worth any sacrifice.


BUY LINKS:

Bookshop.org: https://bookshop.org/books/the-keeper-of-night/9781335405661 

Porter Square Books: https://www.portersquarebooks.com/signed/signed-keeper-night-hardcover

Indie Bound: https://www.indiebound.org/book/9781335405661

Barnes & Noble: https://www.barnesandnoble.com/w/the-keeper-of-night-kylie-lee-baker/1138317760?ean=9781335405661 

Amazon: https://www.amazon.com/Keeper-Night-duology/dp/1335405666/ref=sr_1_2?dchild=1&keywords=the+keeper+of+night&qid=1613326691&sr=8-2

Google Play: https://play.google.com/store/books/details/Kylie_Lee_Baker_The_Keeper_of_Night?id=6asJEAAAQBAJ

Kobo: https://www.kobo.com/ph/en/ebook/the-keeper-of-night

Apple Books: https://books.apple.com/dk/book/the-keeper-of-night/id1540957269



REVIEW:

The Keeper of NightThe Keeper of Night by Kylie Lee Baker
My rating: 4 of 5 stars

This story was really interesting.  I love anything that is steeped in lore and myth, and this delivered.  I also love learning about other cultures through books, even if it is fictional.  It will often drive me to look things up on my own as this book did with regards to the Yokai and Shinigami.  It is interesting to see how various cultures approach death and the different entities that maintain the balance of life and death in each.  It is also really fascinating to see how each culture represents the afterlife.  What does that have to do with this book you might ask?  Our main character Ren is half Shinigami and have Reaper.  The Shinigami serve the goddess of death in Japan, while the Reapers serve the god of death in Britain.  Ren was raised in London, but she was never really accepted because of her mixed heritage and powers.  She flees London with her brother in tow hoping to find acceptance in Japan, only to find that she has to prove herself to the Goddess there before she can serve as a true Shinigami.

This story was very unique and kind of dark.  I think if you liked Katherine Arden's Winternight Trilogy, you will like this.  It has that same dark, folklore vibe.  Some of the spirits are harmless, while others are truly terrifying.  This focuses on three specific Yokai that Ren has been sent to dispatch because they have upset the balance, but as Ren, her brother Neven, and their companion Hiro complete each quest, she realizes all may not be as it seems.  Ren also has to question her own motivations and we'll call it humanity though she isn't human.  There is definitely a struggle between her light and dark sides.  Neven has always kept her grounded, and he's even a bit squeamish when it comes to his Reaper nature, but Ren has never had an issue when it comes to her duties and dealing with death and violence.  Neven is seen as weak when he questions the actions of his kind, and when Ren finally feels she's found her place among the Shinigami she pushes him away.  When she realizes that there may have been something to Neven's compassion it may be too late for redemption and forgiveness.  I guess we'll find out in the next book.

I thought the world building in this was fantastic!  The scenes were described in excellent detail.  That being said be warned that there are several dark, violent, gory scenes in this book.  I also thought the magic system was explained very well.  Ren has the abilities of both a Reaper and a Shinigami, and while you'd think that would make her extra useful it is part of her character arc that makes her unwanted and outcast in both societies.  I really enjoyed the dichotomy of Neven and Hiro as kind of the Angel and Devil on Ren's shoulders throughout the book, one pulling her to the light and one pulling her toward the dark.  Ultimately she makes her own decisions in the end, but they were both there with her the entire way.  I'm really anxious to see where the next part of the story goes.  I was happy to see that this was a duology, but I thought this book ended nicely and could stand by itself.  While there are things left open, it does conclude nicely and doesn't leave you with some great big twist or cliffhanger.

I received both a digital and an audio ARC of this book via Netgalley, all opinions are my own.  I felt the audio narrator did a good job with the narration, however I would have liked a bit more distinction between the characters.  I think that's more of a personal preference.  Her actual performance was good, and I enjoyed listening to the book.


EXCERPT:


Chapter Two

At the far edge of London, somewhere between nightmares and formless dreams, the Reapers slept by daylight.

The only way to enter our home was through the catacombs of the Highgate Cemetery, through a door that no longer existed. It had been built there long ago, when the Britons first came to our land and Ankou carved a hole in their world so that Death could enter. But humans had sealed it shut with layers of wood, then stone, then brick and mortar, all in the hopes of keeping Death out.

By the nineteenth century, humans had mostly forgotten about the Door and what it meant. Then, when the London churchyards began to overflow with bones, the humans had searched for a place just outside of London to bury their dead. By chance or fate, they’d built their new cemetery right on top of the Door. It turned out that Death drew all of us close, even if we weren’t aware of it.

No streetlights lit the path through Highgate at night, but I didn’t need them to find my way home. Before I’d even passed through the main gate, Death pulled me closer. All Reapers were drawn to him, our bones magnetized to the place of our forefather. As soon as I entered the cemetery, a humming began just under my skin, like a train’s engine beginning to whir. My blood flushed faster through my veins as I brushed aside the branches of winter-barren lime trees and low-hanging elms. My boots crunched shattering steps into the frosted pathways as I ran.

I stumbled through jagged rows of ice-cracked tombstones on uneven ground and through a village of mausoleums, finally reaching the gothic arched doorway of the catacomb entrance. The pull had grown unbearable, dragging me along in a dizzy trance as I descended the stairs into the cool quietness of damp bricks and darkness. The labyrinth would have been unnavigable if not for the fervent pull.

At last, my hands came out to touch the wall where the Door used to be, but now there were only damp bricks and an inscription on the arch overhead that read When Ankou comes, he will not go away empty in rigid script. I dug one hand into my pocket and clutched my clock, pressed my other hand to the bricks, then closed my eyes and turned time all the way back to the beginning.

Time flowed through the silver-and-gold gears, up into my bloodstream and through my fingertips, dispersing into the brick wall. Centuries crumbled away, the mortar growing wet and bricks falling loose. One by one, they leaped out of their positions in the wall and aligned themselves in dry stacks on the ground, waiting once again for construction. Objects were easy to manipulate with time, for I could draw from their own intrinsic energy rather than siphoning off my own. Rather than paying in years of my own life, I could borrow years before the bricks crumbled and quickly repay the debt when I put them back.

I stepped through the doorway and the pull released me all at once. I breathed in a deep gasp of the wet night air, then turned around and sealed the door behind me. The bricks jumped back to their positions in the wall, caked together by layers of mortar that dried instantly, the time debt repaid.

The catacombs beyond the threshold spanned infinitely forward, appropriated as resting places for Reapers rather than corpses. Mounted lanterns cast a faint light onto the dirt floors and gray bricks. It was almost Last Toll, so only the last Reapers returning from the night shift still milled around, their silver capes catching the dim light of the tunnels, but most had retreated to their private quarters for the morning.

I turned right and hurried down the block. The low ceilings gave way to high-arched doorways and finally opened up to a hall of echoing marble floors and rows of dark wood desks. Luckily, there was no line for Collections this close to Last Toll.

I hurried to the first Collector and all but slammed my vials into the tray, jolting him awake in his seat. He was a younger Reaper and seemed perplexed at having been awoken so unceremoniously. When his gaze landed on me, he frowned and sat up straight.

“Ren Scarborough,” I said, pushing the tray closer to him.

“I know who you are,” he said, picking up my first vial and uncapping it with deliberate slowness. Of course, everyone knew who I was.

He took a wholly unnecessary sniff of the vial before holding it up to the light to examine the color, checking its authenticity. The Collectors recorded every night’s soul intake before sending the vials off to Processing, where they finally released the souls into Beyond. He picked up a pen from his glass jar of roughly thirty identical pens, tapped it against the desk a few times, then withdrew a leather-bound ledger from a drawer. He dropped it in front of him, opened the creaky cover, and began flipping through the pages, one by one, until he reached a fresh one.

I resisted the urge to slam my face against the desk in impatience.

I really didn’t have time to waste, but Collections was a necessary step. I didn’t consider myself benevolent in times of crisis, but even I was above leaving souls to expire in glass tubes instead of releasing them to their final resting place, wherever that was. And besides, a blank space next to my name in the Collections ledger meant a Collector would pay a visit to my private quarters to reprimand me. The last thing I needed was someone realizing that I’d left before Ivy could even report me.

But when the Collector uncorked my fourth vial and held it up to the lamp, swirling it in the light for ten excruciating seconds, I began to wonder if I’d made the right decision.

The bells of Last Toll reverberated through the bricks all around us, humming through the marble floors. In this hazy hour between night and day, the church grims came out in search of Reaper bones to gnaw on. Night collections had to be turned in by then, while day collections had to be processed by the First Toll at dusk.

The Collector sighed as he picked up my fifth vial. “I’m afraid I’ll have to mark your collections as late.”

My jaw clenched. “Why.”

“It’s past Last Toll, of course,” he said.

My fingers twitched. The lamp on the Collector’s desk flickered with my impatience, but I took a steadying breath.

“I was here before Last Toll,” I said, trying to keep my voice even.

“According to my ledger, your collections still have not been processed,” he said, spinning my fifth vial in his left hand.

I sighed and closed my eyes. Of course, I knew what he was doing. Chastising a “latecomer” would earn praise from higher management. It was the easiest way for him to climb the ranks—to exert his power over the half-breed. He would be praised for his steadfastness and gain a reputation as a strict and immovable Collector, while I could do nothing to complain. I could explode his lamp and send glass shards into his eyes, but that wouldn’t make him process my vials any faster. The fastest way to get out of there was subservience.

“Forgive me, Reaper,” I said, bowing my head and dropping my shoulders. I let my voice sound timid and afraid. “I apologize for being late.”

The Collector blinked at me for a moment, as if surprised that I’d given in so quickly. But he looked young and power-hungry and not particularly perceptive, so I wasn’t too afraid that he’d see through my tactic. As expected, he sneered as if I truly had offended him, finally beginning to process the fifth vial.

“It’s a great inconvenience to both Collections and Processing,” he said, “though I wouldn’t expect a half-breed to understand the workings of the educated Reapers.”

The only believable response to his goading was humiliated silence, so I hung my head even further and tried to make myself as small and pathetic as possible. It wasn’t hard, because the memory of the night’s events was still wringing my heart out like a wet rag and my skin prickled with nerves so fiercely that I wanted to claw it all off and escape before Ivy could find me, yet here I was, brought to my knees before a glorified teller. I imagined being a High Reaper, being able to reach over and smash his face into his blotter and shatter his owlish glasses into his eyes for delaying and insulting me.

His lamp flickered more violently and he paused to smack it before finally finishing with my last vial. He placed all seven in a tray and pressed a button that started the conveyor belt, sending the souls down to Processing. The moment he put a black check next to my name in the ledger, I stood up straight and turned to leave.

His hand twisted into my sleeve, yanking me back.

I shot him a look that could have melted glass, but he only pulled me closer.

“There’s the matter of your sanction,” he said.

“My sanction,” I said, glancing around the office to see how many people would notice if I simply twisted the Collector’s neck. Too many.

“For your tardiness, of course,” he said, smirking sourly. From his position stretched across the desk, the lamplight caught in his glasses and turned them into two beaming white moons.

The standard punishment for failing to make curfew was a night on the pillory, hands and feet nailed to the wood and head locked in a hole that was just slightly too tight, letting you breathe but not speak. The other Reapers could pull your hair or pour mead over your head or call you a thousand names when you couldn’t talk back. But the worst part wasn’t the nails or the insults. It was the Reapers who did nothing but look at you and sneer like you were nothing but an ugly piece of wall art, like they were so perfect that they couldn’t fathom being in your place. And far worse than that was my own father and stepmother walking past me and pretending not to see.

“Come back at First Toll,” the Collector said. “We’ll find a nice place to hang you up by the Door.”

It took every ounce of restraint I had left to keep my expression calm. This was the part where I was supposed to say, Yes, Reaper, and bow, but he was lucky that I hadn’t smashed his glasses into his face with my fist.

As if he could smell my defiance, he pulled me closer. His glasses fell out of the lamplight, revealing a deep frown.

“Scrub that look from your face,” he said. “Remember that I’ll handle your collections in the future.”

The future, I thought.

Luckily, I didn’t have a future.

The light bulb flashed with a sudden surge of power, then burst. Glass shards rained down over the desk, forcing the man to release me as hot glass scored his hands. Some of his paperwork caught fire, and he frantically patted out the flames with hands full of shards.

“Yes, Reaper,” I said, bowing deeply so he wouldn’t see my smirk as he sputtered about “bloody light bulbs, I knew we should have kept the gas lamps.”

Then I turned and rushed off to the West Catacombs.


Excerpted from The Keeper of Night by Kylie Lee Baker, Copyright © 2021 by Kylie Lee Baker. Published by Inkyard Press. 






ABOUT THE AUTHOR:

Kylie Lee Baker grew up in Boston and has since lived in Atlanta, Salamanca, and Seoul. Her writing is informed by her heritage (Japanese, Chinese, and Irish), as well as her experiences living abroad as both a student and teacher. She has a B.A. in Creative Writing and Spanish from Emory University and is currently pursuing a Master of Library and Information Science degree at Simmons University. In her free time, she watches horror movies, plays the cello, and bakes too many cookies. The Keeper of Night is her debut novel.


SOCIAL LINKS:

Author website: https://www.kylieleebaker.com/

Twitter: @KylieYamashiro

Instagram: @kylieleebaker

Goodreads: https://www.goodreads.com/book/show/56030267-the-keeper-of-night




Q&A with Kylie Lee Baker


Q: What was the hardest scene to write in The Keeper of Night? What was the easiest?

A: The opening scene was probably the hardest to write because I had to introduce a complex magic system. The Reapers control time, and that kind of power makes the story vulnerable to a lot of plot holes if you don’t word it carefully. It’s such a powerful tool that it raises the question of why there’s ever any conflict at all, or why any battle is ever hard for Reapers. I needed to address that very early on so the whole world wouldn’t fall apart, while still making the story move forward.

The easiest scene to write was an argument between Ren and Neven, when Neven tries to dictate Ren’s identity, and Ren responds: “Why am I the only one with no say in who I am?” That was one of the first scenes I wrote, and it contains a lot of my raw feelings about how biracial people are treated. Very little of the dialogue changed from the first draft of that scene. The challenge, then, was to build up the rest of the book to bring the reader to the point where that question, and that very emotionally charged scene, made sense.

Q: Did you hide any secrets in your book? (names of friends, little jokes, references to things only some people will get)?

A: I wouldn’t really call these hidden secrets, but a lot of details about the British Reapers are a huge nod to the Black Butler anime, which fans of that show might notice. For instance, the Reapers in The Keeper of Night are known for their poor vision, much like the Reapers in Black Butler who all have to wear glasses, which are important details in both stories. Neven’s love of cats came from Sebastian Michaelis, the titular character from Black Butler who is inexplicably obsessed with cats. Another reference (unrelated to Black Butler) is to Alfred Lord Tennyson--Ren often refers vaguely to themes in his poetry, but she’s talking specifically about a poem called “Love and Death” in which love defeats death, which is something she probably should have internalized a bit sooner.

Q: What do you hope people remember about The Keeper of Night?

A: I hope people remember how complex, traumatic, and powerful Ren’s existence as a biracial character is. I hope that this gives people more respect for the uniqueness of biracial identity, and that biracial readers feel solidarity in their struggles.

Q: Did The Keeper of Night have a certain soundtrack you listened to while writing?

A: I listened to an acoustic cover of Sia’s “Elastic Heart” and Billie Eilish’s “You Should See Me in a Crown” a lot when writing, because those songs reminded me both of Ren’s vulnerability and thirst for power. I also distinctly remember sitting in a coffee shop in Seoul listening to RM’s “Tokyo” while writing some of the first scenes in Japan. It has a very cold, lonely, wistful atmosphere that I tried to emulate.

Q: What is your dream cast for The Keeper of Night?

A: This question is hard to answer, partially because I don’t often imagine real people when writing, and partially because the pool of mixed race white/Asian actors who you can discover through a quick Google search is much smaller than for actors of other races, not even taking into account things like age or face shape. The closest I can come for Ren is Pom Klementieff (who plays Mantis) with black hair. I know she’s Korean, not Japanese, but she also grew up estranged from that culture, much like Ren. Timothee Chalamet with blonde hair is probably the closest match for Neven, since I’ve heard a lot of people say he looks like he should have been a wealthy Victorian child, and Terada Takuya for Hiro--he’s very silly at times, and very sharp at other times, much like Hiro.